2012 Audition Information

 

Light Opera Works is a professional musical theater company, casting primarily
Chicago area talent. All principal and ensemble performers are paid. We do engage
a limited number of Actors’ Equity members under the Tier I Guest Artist Agreement.

 

2012 Season Auditions

January 11-13, 17-18, and 23, 2012

 

Auditions are by appointment only. Walk-ins will be turned away.

 

What to Prepare:

• One memorized, 32-bar selection from Broadway or operetta repertoire, in English.

 

Note:

If you are interested in a specific role, you are encouraged to prepare your selection from
that role.

 

What to Bring:

• Repertoire book

 

• Two copies of your resume and headshot

 

• Personal calendar to inform us of conflicts

 

An accompanist will be provided.

 

Location:

Auditions will be held in Wilmette, accessible by public transportation
(one-half block from purple line el stop).

You will be given the exact location when you make an appointment.

 

Call for an appointment between 11 am and 4 pm on weekdays, beginning Tuesday, January 3, 2012:

(847) 920-5354

 

VOICEMAILS AND E-MAILS WILL NOT BE ACCEPTED.

 

Artistic Director Rudy Hogenmiller has full casting authority.

 

Productions in Evanston, Illinois.

 

2012 season

 

Lerner and Loewe’s

Camelot

Rehearsals begin approximately April 16, 2012

Performances June 1-10, 2012 at Cahn Auditorium, Evanston

 

Man of LaMancha

Rehearsals begin approximately June 25, 2012

Performances August 11-26, 2012 at Cahn Auditorium, Evanston

 

Operetta's Greatest Hits

Rehearsals begin approximately August 27, 2012

Performances October 5-12, 2012
at Nichols Concert Hall, Music Institute of Chicago, Evanston

 

Oliver!

Rehearsals begin approximately November 1, 2012

Performances December 22-31, 2012 at Cahn Auditorium, Evanston

 

2012 Role Descriptions

 

Camelot

 

King Arthur: This role has been cast.

 

Guinevere (soprano): A young, spirited girl, who is quite caught up in chivalry and the exciting possibilities of a promising life. She loves Arthur, but is very much thrown by the arrival of Lancelot.

 

Lancelot (baritone): An abundantly self-assured knight who is a passionate disciple of Arthur and his Round Table, whose only weakness is his love for Guinevere.

 

King Pellinore (non-singing): A wonderfully funny and stuffily “British” old knight – provides the most consistent comic relief in the play. Dedicated to Arthur, Very eccentric.

 

Merlyn (non-singing): The famous wizard, who teaches Arthur almost all he needs to know. He disappears after the second scene in the show.

 

Mordred (character singer): A truly evil young man, who was “sired” by Arthur when the king was young and naïve. A thoroughly and fascinatingly unlikable fellow, Strong character actor.

 

Sir Dinadan: One of the three named knights who serve Arthur. This is the only knight we will audition – those who will be cast as the other knights will audition for this role. Dinadan is devoted to Guenevere and doesn’t care for Lancelot.

 

Nimue (mezzo): The “nymph” who lures Merlyn away with her hauntingly beautiful singing.

 

Tom of Warwick (non-singing): The young boy will be cast as a young adult. Must be shorter than 5’9”

 

Morgan Le Fey (non-singing): Mordred's gluttonous aunt.

 

Ensemble of lords and ladies of Camelot.

 

 

Man of La Mancha

 

Don Quixote: This role has been cast.

 

Sancho Panza (tenor): Don Quixote’s pragmatic but loyal servant and sidekick.

 

Aldonza/Dulcinea (mezzo-belt): A wild, lusty woman with a jaded look at life from experience.

 

Innkeeper (bass): Strong, but kind and sympathetic.

 

Dr. Sansone Corrasco (baritone): Loves money, power and prestige.

 

Padre (tenor): Kindly sympathetic cleric.

 

Barber (tenor): Comic character.

 

Antonia (soprano): Alonso Quijana’s self-centered niece, who is about to be married to Dr. Carrasco.

 

Housekeeper (mezzo): Alonso Quijana’s housekeeper, strong of body and religious/moral convictions.

 

Pedro (baritone): The lead muleteer, rough, ruthless.

 

Anselmo (tenor): A rough muleteer.

 

The Moor (tenor): Head of the Moorish thieves.

 

Contour (tenor): Assistant to The Moor.

 

Maria: The Innkeeper’s wife. 

 

Fermina: A serving girl.

 

Captain of the Inquisition: An imposing, cruel man.

 

Ensemble of guards and men of the Inquisition, muleteers, prison women, dancers (horses and moors).

 

 

Operetta's Greatest Hits

 

2-6 Women

 

2-6 Men

 

Seeking classically trained singers with experence in the operetta/light opera repertory. Exact casting will be determined once program is set.

 

 

Oliver!

 

Fagin: This role has been cast.

 

Oliver Twist (boy soprano): Sweet and innocent workhouse boy.

 

Artful Dodger (baritone): A troubled youth.

 

Nancy (alto): A cockney girl with a warm heart.

 

Bill Sykes (baritone): A villain.

 

Mr. Bumble (baritone): The stout man who runs the workhouse.

 

Widow Corney (soprano): The domineering workhouse mistress.

 

Mr. Sowerberry (baritone): The undertaker.

 

Mrs. Sowerberry (soprano): Mr. Sowerberry’s wife.

 

Mr. Brownlow (non-singing): A kind and wealthy older gentleman.

 

Bet (alto): Nancy’s loyal friend.

 

Charlotte: Mr. Sowerberry’s daughter.

 

Noah Claypole:  A tall bully who is Mr. Sowerberry’s apprentice.

 

Mrs. Bedwin: Mr. Brownlow’s friendly housekeeper.

 

Workhouse Children: Children

 

Fagin's Gang: Children/young adults

 

Ensemble: Adults

 

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Oliver! Children’s Auditions

 

Children’s roles are available only in the December production of Oliver!

 

All children’s auditions for Oliver! will be held at a later date. If you would like to receive email notification of Oliver! children’s auditions
click here.

 

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Candidates for technical positions may mail/e-mail/fax resumes to: 

 

Kyle Dougan

Production Associate

Light Opera Works

516 4th Street

Wilmette, IL 60091-2829

 

Or or fax (847) 920-5358